Angola 3 News: art

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Monday, December 14, 2015

Never Silenced, Herman Wallace's Spirit is Smiling --An interview with filmmaker Angad Singh Bhalla

Never Silenced, Herman Wallace's Spirit is Smiling
--An interview with filmmaker Angad Singh Bhalla

By Angola 3 News

Canadian filmmaker Angad Singh Bhalla has never shied away from examining politically controversial topics. Nor does he play down his own artistic goal of using media to foster political change. Bhalla's first independent work, entitled U.A.I.L. Go Back amplified the voices of Indian villagers resisting an alumina project backed by the Canadian company Alcan. The film became an important organizing tool used to pressure Alcan into ending its involvement in the project.

Bhalla has since co-founded Time of Day Media.and while working as a community organizer for immigrant rights, he produced videos for the Service Employees International Union, Working America, the Center for Constitutional Rights and other groups. His award-winning short on the lives of Indian street artists, Writings on the Wall, was broadcast on Canada’s Bravo! and Al Jazeera English.

Bhalla's debut feature documentary was the 2012 film Herman’s House, about Herman Wallace of the Angola 3 and the collaborative project Wallace worked on with artist Jackie Sumell, entitled The House That Herman Built. The film screened at more than 40 festivals, was distributed theatrically in the US and Canada, and won an Emmy Award for its 2013 POV broadcast on PBS.

The newly released, interactive website-based documentary film made by Bhalla, entitled The Deeper They Bury Me: A Call from Herman Wallace, builds upon Herman's House by further examining Herman Wallace's life, following Wallace's death from liver cancer on October 4, 2013, just three days after being released from prison. This latest film has already been well received. Along with a recent screening at the 28th annual International Documentary Film Festival Amsterdam, The Deeper They Bury Me has also been selected by Favourite Website Awards as the "Site of the Day" for December 14, where it is being displayed on the website's front page for the full day.

In this interview, filmmaker Angad Singh Bhalla discusses his latest film, The Deeper They Bury Me, while also reflecting upon his 2012 film Herman's House, his personal relationship with Wallace and more. Bhalla concludes the interview with a focus on the call by Amnesty International and the International Coalition to Free the Angola 3 for the immediate release of Albert Woodfox, who is the last of the Angola 3 behind bars. Despite three overturned convictions, Woodfox remains in prison and in solitary confinement, where he was first placed over 43 years ago.

(VIDEO: Coverage of the panel discussion following a recent screening of The Deeper They Bury Me at the 53rd New York Film Festival. Photos from this event by Lindsey Seide/NFB are featured below alongside still images taken from the film itself.)

New Orleans, Dec. 12: Art for Rights / Write for Rights, Amnesty Intl. event with Robert King and BMike

Join Amnesty International USA in New Orleans on December 12, from 10am to 6pm, to celebrate art, human rights and international solidarity. As part of the organization’s annual “Write for Rights” campaign, Amnesty International USA is partnering with New Orleans native, Brandan “BMike” Odums to host an “Art for Rights” pop-up exhibition at Studio Be, 2925-2999 Royal Street in New Orleans. Attendees will not only have the opportunity to write letters on behalf of prisoners and human rights defenders from around the world, they will witness the creation of 12 different murals honoring the struggles and activism of individuals on whose behalf Amnesty works.

Art can be a cultural tool during times of unrest to expose truths, helping to humanize social struggle and actualize grievances and fears. Often, it is what inspires us to action.

Amnesty has chosen to hold the inaugural event in New Orleans where Albert Woodfox, one of the 12 cases featured in this year’s Write for Rights campaign, has been held in solitary confinement for over 40 years.

Robert King, the first freed member of the Angola 3, will be joining BMike as the keynote speaker.

Art For Rights
Saturday, December 12th, 2015
10am – 6pm
StudioBe
2925-2999 Royal Street
New Orleans, LA

MORE INFORMATION:

A3 Newsletter: Join Us in New Orleans on Sept. 2nd for Albert Woodfox's Appeal Hearing

(PHOTO: A3 supporters gathered outside the Fifth Circuit Court of Appeals in New Orleans at one of Albert's previous hearings, on Jan. 7, 2014.)

After a summer of back and forth briefing on paper, on Wednesday morning, September 2nd, in the East Courtroom a three-judge panel of the Fifth Circuit Court of Appeals in New Orleans will hear oral arguments on whether Federal Judge James Brady's June 8th "unconditional writ" officially overturning Albert's conviction, ordering his release, and barring a retrial (a ruling he presented as "the only just remedy") will stand.

As usual, the public is welcome to attend. Though we don't know for sure what time our case will be heard, doors open at 8am and court convenes at 8:30am. Arguments are expected to be short (usually each side only gets about 45 minutes) and for those unable to attend audio recordings are posted on the 5th's website by close of business that same day.

A decision from that Court is expected sometime later this fall. If Judge Brady's ruling is upheld, Albert will be released and a retrial banned. If reversed, the Fifth Circuit does not have the power to reinstate Albert's overturned conviction, but can put limits on the terms of Judge Brady's Writ and release order.

Photos of new Albert Woodfox mural in New Orleans by artist B-Mike w/ Amnesty Intl. USA

Featured below are photos of the new Albert Woodfox mural in New Orleans, Louisiana, painted by artist Brandan "B-Mike" Odums in conjunction with Amnesty International USA (sign Amnesty's ongoing petition for Albert here). The photos below are taken by Amnesty USA and the A3 Coalition.

Read the July 3 NOLA Times Picayune article to learn more about the mural and to view more photos.

This first photo is of Michael Mable, brother of Albert Woodfox, standing in front of the mural.

Angola 3 Basics

(Download a flyer version of this fact sheet here.)

In 1972, deep in rural Louisiana, three young black men were silenced for trying to expose continued segregation, systematic corruption, and horrific abuse in the biggest prison in the US, an 18,000 acre former slave plantation called Angola.

Peaceful, non-violent protest in the form of hunger and work strikes organized by inmates caught the attention of Louisiana’s elected leaders and local media in the early 1970s. They soon called for investigations into a host of unconstitutional and extraordinarily inhumane practices commonplace in what was then the “bloodiest prison in the South.” Eager to put an end to outside scrutiny, prison officials began punishing inmates they saw as troublemakers.

At the height of this unprecedented institutional chaos, Herman Wallace, Albert Woodfox, and Robert King were charged with murders they did not commit and thrown into 6x9 foot solitary cells where they remained for decades.

Their struggle for justice continued until Robert was released in 2001, Herman in 2013, and Albert in 2016.

Despite a number of reforms achieved in the mid-70s, many officials repeatedly ignored both evidence of misconduct, and of innocence.

The State’s case was riddled with inconsistencies, obfuscations, and missteps. A bloody print at the murder scene did not match Herman, Albert or anyone charged with the crime and was never compared with the limited number of other prisoners who had access to the dormitory on the day of the murder. In 2008, NPR asked Louisiana Attorney General Buddy Caldwell why the state refused to test the print. "A fingerprint can come from anywhere," Caldwell explained. "We're not going to be fooled by that."

Potentially exculpatory DNA evidence was “lost” by prison officials—including fingernail scrapings from the victim and barely visible “specks” of blood on clothing alleged to have been worn by Albert.

Both Herman and Albert had multiple alibi witnesses with nothing to gain who testified they were far away from the scene when the murder occurred.

In contrast, several State witnesses lied under oath about rewards for their testimony. The prosecution’s star witness Hezekiah Brown told the jury: “Nobody promised me nothing.” But new evidence showed Hezekiah, a convicted serial rapist serving life, agreed to testify only in exchange for a pardon, a weekly carton of cigarettes, TV, birthday cakes, and other luxuries.

“Hezekiah was one you could put words in his mouth,” the Warden reminisced chillingly in an interview about the case years later.

Notably, Teenie Rogers, the widow of the victim, prison guard Brent Miller, after reviewing the evidence believed Herman and Albert’s trials were unfair, expressed grave doubts about their guilt, and called upon officials to find the real killer. "“Each time I look at the evidence in this case, I remember there is no proof that the men charged with Brent’s death are the ones who actually killed him. It’s easy to get caught up in vengeance and anger, but when I look at the facts, they just do not add up,” said Rogers in 2013.

Herman’s conviction was finally overturned in October 2013 by a Federal Judge. Although his trial was riddled with evidence of prosecutorial misconduct and other constitutional violations, it was the systematic exclusion of women from his jury in violation of the 14th Amendment that freed him. Unfortunately he was released in the late stages of advanced liver cancer and only experienced 3 days of freedom. Sadly for Herman, justice delayed was justice denied.

Albert’s conviction was overturned three times by judges citing racial discrimination, prosecutorial misconduct, inadequate defense, and suppression of exculpatory evidence. While the case worked its way through endless appeals, Louisiana officials refused to release Albert from solitary, even when no longer convicted of the crime, because “there’s been no rehabilitation” from “practicing Black Pantherism.”4

In June 2015, a Federal Judge courageously ordered Albert's immediate release and barred a retrial stressing the “Court's lack of confidence in the State to provide a fair third trial." This extraordinary remedy was also frozen pending yet another series of appeals.

Finally, Albert was released in February of 2016, 43 years and 10 months after first being put in isolation for a crime he didn’t commit.

Louisiana today has the highest incarceration rate in the US—thus the highest in the world.

Three-fourths of the 5,000+ prisoners at Angola are African American. And due to some of the harshest sentencing practices in the nation, 97% will die there.

Reminiscent of a bygone era, inmates still harvest cotton, corn and wheat for 4 to 20 cents an hour under the watchful eye of armed guards on horseback.

We believe that only by openly examining the failures and inequities of the criminal justice system in America can we restore integrity to that system.

We must not wait.

We can make a difference.

As the A3 did years before, now is the time to challenge injustice and demand that the innocent and wrongfully incarcerated be freed.

Cruel and Unusual Punishment

In 2000, Herman, Albert and Robert filed a civil lawsuit challenging the inhumane and increasingly pervasive practice of long-term solitary confinement. Magistrate Judge Dalby described their decades of isolation as “so far beyond the pale” she could not find “anything even remotely comparable in the annals of American jurisprudence.” Over the course of 16 years, this seminal case detailed unconstitutionally cruel and unusual treatment and systematic due process violations at the hands of Louisiana officials and inspired worldwide action to end long term solitary.